Legacy looms large as a new villain stakes a claim to Mattâs past and future and a cavalcade of stars team up to celebrate 650 issues of horn-headed justice. Daredevil #2/#650 is written by Chip Zdarsky, drawn by Marco Checchetto and Rafael De Latorre, colored by Matthew Wilson, and lettered by VCâs Clayton Cowles. Featuring artistic cameos by Alex Maleev, Paul Azaceta, Phil Noto, Chris Samnee, Klaus Janson, Mike Hawthorne, John Romita Jr., and Scott Hanna plus a bonus story by Ann Nocenti, drawn by Zdarsky.
Anna Peppard: Itâs true what they sayâthe pandemic has made time lose all meaning, because I could have sworn we were reviewing Daredevil #1 a few short weeks ago, and now weâre reviewing Daredevil #650? Iâm not a mathmagician, but that doesnât add up.
I am, of course, referring to this seriesâ âlegacy numbering,â which accounts for the mega-sized-ness of this monthâs 50-pager, featuring cameo splash pages by a bunch of notable folks from Daredevils past, including Alex Maleev, Chris Samnee, and Klaus Janson. Thereâs also a vignette by Ann Nocenti (aka The Best Daredevil Writer), illustrated by Zdarsky. But Iâm still confused about where all the time went, because I have apparently read 650 issues of Daredevil. Iâm also still not a mathmagician, but I do own a calculator. So letâs do this:
Approx. 10 minutes/issue X 650 issues = 6500 minutes = 108 hours = 4.5 days
MeaningâI have lost at least 4.5 days of my life to reading Daredevil. Or, to put it another wayâIâve had the tremendous pleasure of spending 4.5 days watching Matt Murdock screw up and get up and occasionally save the city, or at least a New Yorker or two. No regrets, would do it again.
Whatâs your mood this month, Rasmus? Do you feel the weight of DDâs legacy bearing down on you like 40 tons of derailed subway car?
Rasmus Lykke: Nope!
But then again, I havenât actually read every issue (not yet, at least!), so my burden is much lighter. Iâve cherry-picked, only reading the good stuff.
Like you touch upon, this is a weird one. Itâs both an extra-sized 650 celebration of Daredevil⌠and issue 2. The creative team is trying to serve two wildly different masters and it shows at times. Though itâs not a bad issue!
Anna: Ooh, kicking off this review by damning with faint praise! Sure, this comic doesnât live up to the glory days of Daredevil fighting a demonic vacuum cleaner. (Think Iâm kidding? Iâm not.) But I enjoyed it. Beautiful action, a little romance, and my worst fears didnât come to fruitionâwhatâs not to love? In any case, time marches on, and so does the bloody soap opera of Mattâs life in this issue that both honors and rejigs his history. Letâs discuss!
Origin Stories
Anna: We open with a flashback to the secret origin of Robert Goldman, aka âGoldy,â aka a former Columbia law school classmate of Matt and Foggy, aka the guy who recently prosecuted Daredevil for murder, aka this seriesâ new antagonist. As youâll recall from last issue, Goldy has some kind of precognition-related powers and calls himself Mattâs guardian angel (much to Mattâs dismay, since Goldyâs âguardianship” seems to involve lots of death and destruction). Goldyâs origin is a mirror of Mattâs. We all know Mattâs origin: he saves a manâs life by jumping in front of a truck but loses his sight by saving him. In Goldyâs origin, a nail flattens his bike tire, making him fall off and have to walk his bike home. The delay means he misses being caught in a fire that seemingly kills his family. Like Matt, Goldy both was and wasnât in the right place at the right time. Also like Mattâthis really messes him up.
Rasmus: The way their origins mirror each other and the steady revelation of times Goldy has been involved with Mattâs life, I half expect it to be revealed that he shoved the man that Matt saved onto the street or hired the delivery company. Itâs a lot of retro-fitting in continuity, but it mostly works in this issue. And it definitely looks good!
Anna: Marco Checchetto and Rafael De Latorre are once again sharing art duties on the main story this month, with De Latorre handling the flashback sequences, including Goldyâs origin. And I gotta sayâhe absolutely nails it (pun intended). Almost all the info in that wordy paragraph I just finished writing is communicated through one mostly wordless page. When comics art is good, itâs very goodâtell your friends, spread the gospel.
From the site of Goldyâs defining trauma, we jump ahead to the present, specifically, the immediate aftermath of last issue, when Goldy claimed a train explosionâseemingly caused by himâprecipitated the death of Mattâs former beau and continued love of his life, Kirsten McDuffie. Goldy jumps off a bridge, Daredevil follows, and then a subway car crashes off the bridge in a terrifying, beautiful symphony of sparks and glass, doing that thing comics do so well, which works particularly well for the impossible action spectacles of superhero comicsâwhile the car is hurtling downwards, ready to crush our protagonist to a pulp, it hangs suspended in air, using the stillness and subjective nature of time in comics to monumentalize scale and speed. Or, to once again put it another wayâChecchetto draws a really freakinâ cool picture of an out-of-control subway car. If you havenât already looked at itâgo look at it, it looks nice.
Thoughts on this set-up, Rasmus?
Rasmus: Itâs a nice way to show that Daredevilâs a street level hero, connected with the people. Heâs protecting and saving everyday New Yorkers, even if heâs fighting someone who claims to be an actual guardian angel.
A claim that loses quite a bit of its muster, when Goldy is causing so much destruction and death around him. In my mind, it opens future events to two directions: Either Goldy actually is what he says he is and itâll lead to Matt having a crisis of faith (again, again, again), which would drive him further into the darkness with Elektra. Or Goldy is a lunatic with powers, whose delusions make him think heâs an angel and fixate on Matt, until heâs eventually brought low, but probably not before Matt undergoes some of what I mentioned in the first possibility.
Or something entirely different is going to happen, thatâs a lot better than my inane guesses. My point isnât even truly in trying to figure out whatâs going to happen next. Thatâs just guesswork and not terribly interesting, really. What is interesting is how many storytelling avenues Goldy opens for Zdarsky and the rest of the team. Heâs a fascinating character and him and Matt are undoubtedly going to have more fascinating conversations in the future. This is a good start.
Anna: Thereâs a nice back-and-forth between Daredevil and Goldy throughout this opening sequence, where Goldyâs effortless passivity is practically and thematically contrasted with Daredevilâs tireless activity. Goldy watches Matt saving people, then trying to save himself, and does nothing. He just watches. Having Matt jump in front of the train to save a woman from being crushed was also a nice touch, since it once again evokes Mattâs origin. Are all these origin callbacks intentional in this megasized legacy issue? Iâm not sure, but it worked for me.
Love and Marriage
Anna: In between Daredevil nearly getting crushed by the subway car and then rescued from the rubble by some regular New Yorkers who have clearly forgiven him for all that stuff that happened in the last series, we get an extended flashback, again drawn by De Latorre, to an incident most memorably recounted in Frank Miller and John Romita Jr.âs Daredevil: The Man Without Fear miniseries from 1993. Itâs the thing where Elektra and her dad are hostages, and pre-Daredevil Matt tries to save them. But heâs not that good at saving people yet, and a SWAT team ends up firing into the building, killing Elektraâs dad, resulting in her fulfilling the daddy complex destiny of her name. The twist in this retelling is that itâs Goldy who says the line, âtheyâre killing the hostages,â which is what escalates the confrontation.
This type of retconning is risky; sometimes it adds to the original story, sometimes it diminishes it by adding too many bells and whistles. What was your mileage, Rasmus?
Rasmus: As I touched upon earlier, Iâm a bit wary of them. If there are too many instances, itâs too much. This specific one is small enough, and singular, that itâs fine by me. Whoâs to say what wouldâve happened if Goldy hadnât shouted it? Perhaps the shooter wouldâve been jumpy enough to shoot anyway.
I will say that itâs a good sequence though. It shows a lot of the history between Matt and Elektra, how good they both were even at that early an age and how they work together. Itâs all background stuff to the Goldy story, but itâs very effective in showing this history to the readers, since itâs bound to be more relevant the further we get into the Matt and Elektra the Hand story.
Anna: I share some of your reservations about the retconning. Thereâs a lot of piggybacking happening here to build up Goldy, presenting him as a crucial player in all the major events of Mattâs life. For me, the saving grace is the possibility it might be bullshit. I donât trust Goldy. I also donât trust Goldyâs perception of himself and his powers. Weâll see how it plays out.
Among the bits I enjoyed is the scene where Goldy meets Matt for the first time, or rather sees him across the quad, in all his sun-kissed, floppy-haired youthful beauty. Goldyâs mind draws golden wings and devil horns on Matt as he stares at him, wide-eyed with rapture, and declares himself Mattâs disciple. Part of me doesnât want to read this scene as queer because genre fiction has enough queer serial killers already. But⌠itâs pretty queer. Not to mention identifiable, speaking as someone whoâs read 650 issues of Daredevil.
While weâre on the subject of worshipâI know Iâve already griped a time or two about the depiction of religion in this book. But I canât help one more little comment, about a little comment that temporarily took me out of what was otherwise an enjoyable issue. Matt Murdock is a guy whoâs friends with actual gods from multiple earthly and alien pantheons. Heâs made out with Mephisto and spent a bunch of time possessed by a non-Christian demon. The idea, introduced here via internal monologue, that heâs never cursed or doubted the omnipotence of Catholic God doesnât jive for me. Like my partner in crime alluded to aboveâMatt is a walking, talking crisis of faith. But Zdarsky and I clearly have different takes on Mattâs relationship with his faith, Iâll try to let it go. And hopefully, Iâll do a better job of letting it go than Matt does letting go of Kirsten McDuffieâwho is not dead! Hooray!
Thatâs the good news. The better news is that Matt tells her he loves her. The bad news is Kirsten doesnât want to hear it because she still doesnât remember or realize that Daredevil is actually Matt. Let her figure it out, Chip. Please. Giving Kirsten the agency that comes with knowledge would go a long way toward making her feel like more of a character again, as opposed to a generic love interest prone to fridging threats. I miss Classic Kirstenâthe one who appears in the Chris Samnee flashback pinup in this issue, punching baddies at DDâs side with a smile on her face.
The record-scratch news is that despite loving Kirsten, Matt plans to marry Elektra. I donât have an opinion on that at this juncture, but I am sure the wedding attire will slay (perhaps literally).
Rasmus: I was very happy to see Kirsten back as well. I say I havenât read all 650 issues of Daredevil, which is true, but Iâve still read a pretty big amount. And Matt has had both a large number of flings, but also several long term romantic partners. Iâve been here for a large number of them. And Kirsten is by far my favorite. Smart, capable, funny and just generally more than a match for Matt, despite not being a superhero. Even if she can throw a mean punch.
And now Mattâs going to marry Elektra. That does seem like a bad idea. Like such a bad idea that a guardian angel with precognition powers would say that he doesnât even need his powers to see that theyâll be the death of each other. Just to name a hypothetical situation, of course.
Honestly, both when I read the book for the first time AND on the reread, I thought the story ended on that cliffhanger. Itâs both huge news for the character and itâs clear that itâs going to turn out badly for all involved. Itâs a perfect cliffhanger.
But itâs not enough for Zdarsky. Instead we end on Goldy turning himself in and saying he needs to be in a prison for criminals with superpowers. And heâs being really clear about thatâs where he needs to be. Looks like heâs got a lot more hardship in sight for Daredevil. Uh huh.
Golden Oldies
Anna: We also need to talk about the guest stars, meaning those legacy pinups I mentioned at the top, which are inserted into the sparring match between Daredevil and Goldy. I also want to touch on the short story penned by Nocenti.
These types of retrospectives are always interesting because itâs a spotlight on which parts of a characterâs history are considered most relevant at which times. And Iâm up in arms about this one. I wonât stand for this Bronze Age Daredevil erasure! I demand more splash pages featuring Black Widow and Stilt-Man! I will not rest until the (first) San Francisco DD era gets its due!
Rasmus: I was honestly surprised how recent most of that retrospective was. Everything was post-Bendis, with the exception of Frank Miller/Klaus Jansonâs run and Ann Nocentiâs run, represented by Bloody Mary via John Romita JR. It seems like Goldy only started affecting Matt when things took a darker turn in the series.
I mightâve just not been paying enough attention to the press surrounding the issue, but I was also under the impression that the artists would be contributing something more than just a single page, so I must admit I was a bit disappointed by that. It felt light, as a celebratory issue. The pin-ups, lovely as they were, couldâve been two pages of panels in the issue by De Latorre or Checchetto and then the story wouldâve been a perfectly normal issue 2 of a book. It didnât have the gravitas of a good celebratory issue, in my opinion. But, to be fair, thatâs out of the creative teamâs hands. The relaunch was undoubtedly pushed more by Marvel, as it makes good business sense to do so. And getting more readers aboard this very good run is always a good thing.
Anna: The format is a lot like Daredevil #500, an issue I deeply cherished when it came out. But youâre rightâitâs not as good. Itâs a smaller celebration that doesnât hold together quite as well. Same holds for the Nocenti story, which I liked, but doesnât live up to the quiet, profound beauty of her vignette in Daredevil #500, drawn by David Aja. That said, itâs definitely got Nocenti vibes. She loves pairing DD with kids and teens, along with a fondness for dark humor, irony, and exploring Mattâs connection to the community. This story checks all of those boxes.
Rasmus: Vibes is the right word. It doesnât so much tell a story. Itâs more of a vibe, showing a small rooftop, the conflicted petty criminal family that lives there and how they come into contact with Daredevil. Figuring out exactly what happens, in what order and to whom is a bit of a struggle, but it does speak to the vibe of New York (and specifically Hellâs Kitchen), Daredevilâs role within it and the struggle of everyday people.
Iâll be honest and say it didnât really work for me. Did it work better for you, Anna?
Anna: I will also be honest and say I had to read it five times to try and figure out what happened, in what order, and why. Iâll be even more honest and say I donât understand the conclusion of the story, where Mattâs like, âthe police know this guy was left-handed, but your boss doesnât, how are you going to play it?â Everyone smiles like thereâs a clever twist but I just⌠donât get it. If the police know the killer wasnât left-handed, why would giving them a gun with right-handed fingerprints even be on the tableâŚ? If there are readers who understood the ending and are able to explain it to meâplease do! I am not too proud to admit I might have missed the point.
In any case, Nocentiâs Daredevil run is iconic and nothing can ever change that. If thereâs anyone reading this who hasnât read itâitâs never too late to change your life! Even if it takes you upwards of 4.5 days to finish it (youâre going to want to read slowly to enjoy the stellar JR JR art), I promise you wonât regret it.
Marvelous Musings:
- This comic features a âMarvel Remembersâ page honoring the late Tim Sale. Itâs always the right time to read or revisit Saleâs gorgeous art in Daredevil: Yellow.
- Some of these pin-ups are really gorgeous and itâs a real treat to see the artists drawing DD again. The Samnee page is especially jaw-dropping, in that classic Samnee fashion.
- Interestingly, no present day Elektra in this issue. Itâll be interesting to see how the split between the two Daredevils will be handled going forward.
- One aspect of these celebratory issues that did work well for me, was the Chris Giarrusso Mini Marvels strip in the back. A lot of fun parallels between DD, Elektra and Bullseye pointedly pointed out.