Everyone’s favorite Inhuman teams up with everyone’s favorite grumpy Canadian mutant in Ms. Marvel & Wolverine #1, the beginning of a miniseries-ish written by Jody Houser, art by Ze Carlos, colors by Erick Arciniega, and letters by Travis Lanham. Kamala Khan returns in her own quasi miniseries about a month too late for corporate synergy….
Okay, deep breath. You see, Harry Osborn…well, what I mean to say is a clone of Harry Osborn, or rather…all right, let’s start over. You know how there’s this mysterious villain called Kindred…you know what? Forget it, it’s not even worth it. Amazing Spider-Man #73 is written by Nick Spencer, drawn by Zé Carlos and…
Retcons can be a useful tool in the world of serialized storytelling. They can add important character details about characters, stories, and locales. Hell, one of the best stories of the last five years was a massive retcon, as House of X #2 permanently altered the history of Moira MacTaggert. Amazing Spider-Man #72 hands the…
The masked melee continues to multiply in Sinister War #3! Facing down the barrel of nearly 40 villains, Spider-Man continues to try and break free of this volume’s finale. Written by Nick Spencer and Ed Brisson. Drawn by Mark Bagley, Carlos Gómez, and Zé Carlos. Inked by Andrew Hennessy, Andy Owens, John Dell, Carlos Gómez,…
We got teams for DAYS in the sophomore installment of Nick Spencer’s conclusion to Amazing Spider-Man, Sinister War #2! Written by Nick Spencer & Ed Brisson. Drawn by Mark Bagley, Diogenes Neves, Carlos Gómez, and Zé Carlos. Inked by Andrew Hennessy, John Dell, Andy Owens, Carlos Gómez, and Zé Carlos. Colored by Brian Reber. Lettered…
The Clon- er, Chameleon Conspiracy wraps up in an oversized “Giant-Size” issue of Amazing Spider-Man, closing out fewer plotlines than one would hope. Written by Nick Spencer and Ed Brisson, penciled by Marcelo Ferreira, Carlos Gómez, Zé Carlos, and Ig Guara, inked by Wayne Faucher, Carlos Gómez, Zé Carlos, and Ig Guara, colored by Andrew…
If King’s Ransom has shown readers anything, it’s that sometimes a writer needs to play to his strengths.