With the near total destruction of the Green Lantern Corps, itās Yellowās time to shine! Over in Green Lantern #6, while John Stewart is dealing with golden, mind-controlling centurions taking over the Dark Sector, Jo Mullein has her first confrontation with Sinestro himself to find out just what his intentions are for the universe at large now that his longtime opponents are off the board. Written by Geoffrey Thorne, drawn by Marco Santucci and Tom Raney, colored by Michael Atiyeh and lettered by Simon Bowland.
Not enough Sinestro for you? The Green Lantern 2021 Annual has got you covered, as we go back to the moment Jessica Cruz decided to join the Sinestro Corps full time. More than any other Lantern, Jessica has perhaps spent the most time overcoming her fears to fight for a better universe – but what happens when she decides to use the fear that has been with her so long? Written by Ryan Cady, drawn by Sam Basri and Tom Derenick, colored by Hi-Fi, and lettered by Rob Leigh.
Armaan Babu: So this is a good week for you if youāre a big Sinestro fan – and an even bigger week if youāre just a fan of fear itself, but weāll let Bat Chat tell you more about that. While Green Lantern still felt a bit rough to me, it feels like the pace of things may just start to be evening out enough for me to enjoy it more – and the Annual was a breath of fresh air. What did you think of this weekās Green Lantern stories, Jude?
Jude Jones: I really, really, *really* liked the annual. Like, really. Much of that comes as a surprise, since I havenāt really been a fan of the series thus far. But, man, the issue does some things I like; it raises some points Iāve pondered about the nature of will and fear. And while it isnāt perfect (at all!), itās really, uniquely good. As for the main line? It was fine. But considering the previous episodes ranged from āmehā to āoh come the heck on,ā fine is a good thing!
John Was…There
Armaan: This may be out of order, but considering how intertwined the other two stories are, I thought it would be good to get this one out of the way first. I have to say, Raneyās art has not been as distractingly bad as it has been in previous issues. The art here has slightly toned down the large, watery eyes and the lumpy, misshapen proportions that tend to make this part of the book hard to read. We may have the new setting and new aliens to thank for that, but that did leave me with a little more breathing room to be able to enjoy the story – I just kind of wish I did, more.
Weāre introduced to a new threat: the Golden Centurions, who have the ability to psychically infect entire populations with the belief that the Centurions are holy beings to submit to. Every population has a handful of those immune to the Centurionsā effect, though…and those enthralled turn on them with disturbingly savage violence.
In and of itself, itās not a strong hook. And without working rings, without the Guardians, without cosmic beings channeling weird energies and, letās be honest, without John having been given much of an identity outside of his role as a Green Lantern – this half of things just isnāt a Green Lantern book. Itās just this shy of being a spinoff series, and Iām beginning to see why nobodyās chosen to just make it that – because this side of the story just doesnāt hold up on its own. If Johnās side of the story was collected into its own trade, Iād be skipping through pages rapidly at this point to find out when they get to the good stuff, because it does feel like itās building up to something. Itās just that the meanderings in the meantime have nothing that hooks me.
Jude: I donāt care about John. Not at all, not in the least bit. Heās not interesting or unique: heās as bland as bland could be. You could insert almost any Lantern – maybe even any hero – into his situation and youād have the same book. When I think about characters and stories I like, I think about personalities and agency; I think about how that character, given who they are, would react in whatever situation they got put in. How they would feel and hurt and progress (or regress.) Iāve learned nothing new about John; I havenāt seen how his history affects his choices or his mindset. He is a generic action hero, and because heās the focus, the whole story feels just as generic. Not fun, not interesting, not worth investing in.
That said, the story itself was at least interesting. We get teases of New Genesis and Boom Tubes, connecting this Dark Sector to our more familiar universe (that whole mindless following of angels seems pretty similar to the idea of anti-life, no?) In a sense this is a missed opportunity to create something entirely new (a la Far Sector), but for what it is, itās fine.
The art isnāt fine. Itās still bad. Itās still a distracting mess; itās just that Iām now used to the distracting mess, so itās less distracting. But never forget: itās still bad.
Sinestro Steals the Limelight
Jude: Everything here, however, is less bad. It still suffers from some of the maladies of its Stewart-led compatriot: anonymous heroes and an uninspiring plot and pacing. But at least here, someone has a personality.
And that someone is Sinestro.
Jo Mullein, one of the few Lanterns with a working ring, has tracked Keli, the young, hot headed and soft hearted Teen Lantern with an apparently massively powerful weapon on her wrist to New Korugar, home of the Yellow Lantens. She (Keli) blames Sinestro for all of the problems the Core has gone through because, of course: heās Sinestro, and sinister stuff is what he does. Jo and a depowered (but bionically enhanced) Simon Baz convince the United Planets representatives to bring them within shouting distance of Korugar so they can retrieve the Lantern and confront Sinestro directly.
Upon landing, Simon gets to work, the results of which we saw last issue, with a surprise cameo from Jessica Cruz. This issue, however, is laser focused on the interaction between Sinestro and Jo. The two trade light barbs: Jo telling Sinestro pretty directly what she thinks of him (evil murderer) and what she wants (Keli and safe passage), and Sinestro just as directly (and diplomatically) responds (I am what I am; go in peace). I liked this interaction. Again, it felt generic: while I do get the sense Thorne knows the story he wants to tell, I donāt get the sense that Thorne really knows the characters. Joās personality felt subdued, and Sinestro talked like your run of the mill Bond villain. Again, nothing wrong here: I like Sinestroās relaxed subversion and candor. But there was nothing riveting or groundbreaking. Really, all of this could have happened in the last issue. But Iāve already said wayyyy too much. Armaan, what are your thoughts?
Armaan: I think you put a finger right on whatās been bothering me about this series. Despite his deep cuts into continuity, it does feel like Thorne doesnāt really get these characters – or at least, doesnāt know how to make them fit for the story he wants to tell. I wasnāt all that sold on this newer take on Sinestro last issue, but Iāve definitely come around to it, because the one bit that this book does get right is Sinestroās smug sense of superiority. It radiates off of him more than that yellow light ever did.
Iām more used to a Sinestro who is frustrated that the world wonāt listen to him more, when he believes heās clearly right. Here, however, heās right on top of the world. Not only is his authority as New Korugarās ruler universally recognized, the almost total destruction of the Green Lantern Corps has left a power vacuum open that heās always wanted to fill. As far as heās concerned, the universe being policed by his Yellow Lanterns is just the next natural step, and he might not be wrong.
Everything that happens before Joās meeting with Sinestro felt like an unnecessary use of pages. We get nothing that we didnāt last issue. If it was trying to build Sinestro up, it was nowhere near as effective as his actual appearance. If it was trying to show us Jo and Simon getting to know each other better, the sentiment is lost, because they waste far more time than is necessary on exposition for things last issue established just fine.
I am really enjoying the art here, though – and the backgrounds in this issue especially. The interior of the ship, the glowy blues of space, New Korugar and Sinestroās opulent yellow palace – itās gorgeous stuff for me.
And Jessica Cruz Thrills Us All
Jude: We absolutely saved the best for last. This story was a revelation, and I do not use that term lightly. We get a fully realized character here. A woman with desires and insecurities, a woman with a past and motivations and a hope for the future. We see her make deals with the devil again and again, and we wait with baited breath for those deals to bite her back. And when they donāt – when her suspicions, her fear, make her not just effective but aware, we leave the issue with a reframed idea of what Yellow Lanterns generally and fear specifically mean.
This is something Iāve always wondered to be honest. The power of the Green Lanterns is will, but in the context of what they actually do, Iāve always been skeptical that the power was a good thing. Imposing your will on others because you know best (or because some Guardian knows best) is almost tantamount to slavery. Yes, I know the Lanterns are supposed to be the good guys, but so are cops. And we see, day after day, what those good guys, with will power and weapons and guardians telling them what to do are capable of.
Fear, or course, was supposed to be framed as the polar opposite to will. But is fear bad? Is having a healthy fear – a healthy respect for consequences – a bad thing? Jessicaās exploration of her power does not directly, clearly answer this, but it does provide enough clues to make the answer lovingly ambiguous. She can sense fear, which means she can go whenever sheās most needed; this is a good thing. She can manipulate emotions, to keep people in check and focused; this could easily be a bad thing in the wrong hands. The ring, then, isnāt bad. Itās just a tool. Itās the soul of the bearer that determines action.
If I compare the Green Lanterns to cops, then maybe the Yellow Lanterns are politicians. They barter, think and manipulate. Sometimes for the greater goods; other times simply for their own benefit. Fear is a powerful motivator, as politicians in my home country know all too well. But not every politician who wields that power is doing so to cause harm. Thatās the ambiguous nature of the power, and Iām glad, oh so glad, it was examined here. Sinestro likened it to Empathy which, at first blush seems like a joke: a mass murdering tyrant invoking a feeling associated with care and giving. But empathy is literally feeling what others feel. Will power is individualistic; fear is communal. Fear is community. So while yes, heās BSing, heās also not at all wrong here. Fear is like a knife: it can stab someone in the heart, or it can cut chains. How will Jessica use it?
Armaan: Where you see politicians, Jude, I see cult leaders, though thereās a fine line between the two. I think the main difference for me is that you can get away with a boring politician – frankly, weād be better off – but a cult leader needs to be a driving force. Needs that charismatic leader in charge, always spreading the kind of fear that makes even the consideration of another path a terrifying sin. Maybe you get cult leaders who actually do want to put some good out into the world, but theyāre very much in the minority, much like Jessica Cruz herself.
Jude: Speaking of our protagonist, I love Jessica Cruz here. I love how she takes control while continually balancing her emotions. I love how Sinestro clearly manipulated her: not because I like manipulation, but because heās not hiding his intentions. When you know what you have is good, you donāt need to sell it.
So yes, I liked this issue a lot. The art here was pretty darn good! Not super colorful (which I think was a missed opportunity), but Sinestroās widowās peak and thin mustache felt less, well, sinister here and more naturalā¦for a reddish skinned humanoid. It served the purpose of the story without overtaking it. The art let the words lead, and for that I appreciate it. Armaan, what did you think?
Armaan: The reveal that Sinestroās ring, and his eventual army of Yellow Lanterns, were powered by fear, came out in 2004 with Green Lantern: Rebirth, if Iām not mistaken. Itās maddening that itās taken this long for us to get a story that seems to handle fear with any kind of nuance, but hey, Iām glad itās happened.
This was a really good issue, and my only regret is that itās not a backdoor pilot for a Yellow Lanterns spinoff series. Who knows, maybe if this Annual grabs enough interest? Because it absolutely should.
Of all the Lanterns, I think itās Jessica who has had the most fear to overcome. Letās not forget that when she was first chosen by a ring, it was a twisted, Earth-3 version that sought her out for her fearfulness. She got her Green Lantern ring by overcoming her fear, but sheās continued to grow. Seeing her not just overcome her fears, but start to learn their power – thatās an exciting new chapter for her.
One thing that interests me is how easy it is to see how someone could be corrupted by the power this ring gives. Even wielded by someone desperate to do good, Jessicaās use of this ring doesnāt leave much room for kindness. Itās all stick, no carrot. Itās ripping a hull right open to get to the heart of the matter, it doesnāt care about being cruel to get the job done.
They speak of empathy here – in theory, every ring should be able to help itās wearer empathize with people more; they all are powered by powerful emotions. It feels like what Jessicaās really looking for here is an Indigo Ring. Unfortunately, theyāre not around anymore, but based on what I see here, Jessicaād be a great candidate to bring them back.
The art here was a delight for me – aside from a slightly jarring few filler pages. Thereās a cutesiness to Basriās art that could feel out of place, but the variety of constructs we get to see here is exciting. More than that, I love how fear wraps around Jessica. Itās alien, itās demonic – but itās clearly her friend. This fear is hers to command, and itās a thrill to see.