Why, Will: The Cowards of the Country

Everything is bad. And there are a few people to blame. The Splash When I’m good and angry and I want to wreck someone and the facts fit the moment, I reach for something special. It’s not ā€œassholeā€ (vague, common), nor ā€œbastardā€ (weak) nor ā€œmotherfuckerā€ (got a nice sound to it, but it’s not angry…

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Why, Will: How Did Donny Do It? ā€˜Crossover’ and the Magic of Fair Use

Beyond this point lie spoilers for ā€œCrossoverā€ #1. Ye be warned… The Splash ā€œCrossover,ā€ the meta comic-book-about-comic-books from the mind of writer Donny Cates and artist Geoff Shaw, has a heap of stuff to talk about — the merits of which have already been ably discussed by Big Boss Zack and Dan ā€œthe Manā€ McMahon….

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Why, Will: Casting an All-Mutant SNL (You’ll Never Guess Who’s Chevy)

Stop booking terrible, stupid finishes, Vince. The ā€˜Rasslin’ Report: Your ā€˜Rasslin’ Dictionary  When you know your babyfaces (good guys) from your heels (bad guys), you can impress the smarks (the ā€œsmart markā€ internet fans). fuck finish (noun): a contrived finish that serves only as a workaround for bookers and fails to answer the kayfabe question…

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Why, Will: Hi, I’m Will. I’m a Mark for Colorized ‘Walking Dead.’

You got me, Robert Kirkman. The Splash There is something so unabashedly commercial in re-releasing ā€œThe Walking Deadā€ in color that I can’t help but like it. Tellin’ fans it won’t be collected and makin’ ’em snap up those floppies? For a series that’s already made dump trucks of television and licensing* money? It’s so…

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Why, Will: Every comic is disposable — even the ā€˜great’ ones (aka Will read ‘Cerebus’)

Nothing is so important that we must sacrifice decency or respect for others. Last Time on ā€˜Why, Will’ Imagine this conversation 50 years from now: ā€œPep Pep, was there *really* a coronavirus pandemic? And more than 150,000 people died? And the United States kinda did nothing?ā€ ā€œThat’s all true, kiddo. It was a nightmare. Daily!ā€…

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